(right hand) the new suffering {red clay} by Richard Paezright hand in memory wet, warm and dripping with the red, red clay we shaped with sore and suffering fingers
(sanguine still my fingers and palms as yours are and ever were. children still, we were then and ever will be innocent and wise shaping little dreams in red, red clay)
squeezing and pulling red masks, red flowers, red, red daggers shaping and scribbling red, red poems till the clay beneath our feet dried and cracked and crumbled
(sanguine still our fingers and palms as they were and ever will be. children still as we were and ever will be slowly cutting slowly carving clay shaped with sore and suffering fingers)
we return only to find unfamiliar shapes sinking in the clay little dreams we left behind slowly losing their shape drying and cracking, ever crumbling
and finally i've found the strength to admit that this is the way it will be, this is the way i will accept this new suffering. but i'm still scratching the red, red clay from underneath my fingernails, swelling and bleeding with this new suffering. trying to find clean again, trying to find clean again...
01/08/2003 Author's Note: Counting beads. How long have I been doing this? How much longer can I (and should I) keep it up? And is it ever truly safe to say good-bye to memory? How much longer can the me I know survive? Sometimes I feel like a paleontologist-dinosaur: if it weren't for my own foot-prints hardened in the clay I wouldn't know of my own existence. There's more to this. That line from the movie se7en keeps repeating in my head: is there any part of your body that you'd be willing to sacrifice? Is there any part of me that I'd be willing to sacrifice? And exactly what would be left after that pyre burnt itself out? I contemplate this as my brother rots in a jail cell. My childhood friends are all gone. I can smell suffering around me like rotten meat piled high. And where am I? Where am I indeed... This breaches the gap between (the abacist) and (eden).
Posted on 01/08/2003 Copyright © 2024 Richard Paez
Member Comments on this Poem |
Posted by Nicki McDougall on 01/09/03 at 03:43 PM Wow. Great metaphor for lost hopes and ambitions. The part about returning to the creations of childhood to find them strange, misshapen and sinking really struck a chord. |
Posted by JD Clay on 01/11/03 at 03:09 PM I love the way this poem unfolds slowly. Like the lotus blossom, lifes treasures are never revealed in an instant. Your magnificent poem is but a single petal in the garden of your soul and I say, let it rain. Peace... |
Posted by Chris Sorrenti on 01/18/03 at 03:32 PM Thought provoking expression of inner and outer turmoil, Richard. There's still much meat on those dinosaur bones of yours, rich with the stuff of life...and hope, just in the fact you've written and posted this. |
Posted by Mara Meade on 01/19/03 at 06:16 PM I have no words, Richard... I just feel stunned at the images and the transparency with which you write... |
Posted by Kyle Anne Kish on 02/13/07 at 02:28 PM Memories ... footprints ... handprints ... red red clay. I am completely awed and humbled by this poem. It's a piece that truly stands on its own and shows how you do the same.
Congratulations on your POTD. Well deserved. |
Posted by Rachelle Howe on 02/14/07 at 12:00 AM Nicely done, Mr. Paez! And you should format/post your authors note. :D Congrats on POTD! |
Posted by Michelle Angelini on 02/14/07 at 02:41 AM Richard, CONGRATULATIONS on POTD!
~Chelle~ |
Posted by JD Clay on 02/14/07 at 04:03 AM This is juxtaposition in the first degree, malachi. You are the malleable poet of the day. Salute! |
Posted by Kathleen Wilson on 02/14/07 at 06:27 AM The shapes and forms created in clay mirrored in verse, the red font, the parenthetical stanzas, the mirroring and varying of lines stanza to stanza, the repetitions, the intensity of the musing, the motion of forming and the redness all through, the line counts of 8 after intial 4, all a fine structure that holds the lyrical intensity, and the poetic prose afterwards like overspilling. Fantastic. |
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