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dancing with the devil

by Michele Schottelkorb

Prologue


(sometime in the late fifties)


he emerges from in utero

screaming for his bloody life

into his mother’s arms

a quick let down from his comfy abode

but that’s how things are in Hollywood…


enter a realm, an area

where the rich push gluttony

and the poor lustfully embrace glass crack pipes with blistered lips

and then there’s the center divider…


where she dwells… where he escapes…


she sits in dark musty corners

draped in black velvet and fishnet bruises

bathrooms caked in white lines and red lipstick

incense filled cigarette smoke circles the dance floor

as writhing death-like waifs glide effortlessly in sync with Siouxsie or KMFDM,

pick your poison, freak


step outside for a clove and get hit on for a buck-a-rose

from some homeless man who smells of day old breath and cheap booze


retreat quickly back into your sanctuary, little gothic girl

while, on the other side of town

he sits with a needle in his arm

a smile on his emotionless face

directly across from a model he will never touch, only speak to in silence

his mistress is not human…

(the more you do, the less it hurts)

a great job and house awaits him miles away

along with a nasty woman who burnt all his clothes

and steals his child for drugs

so he pushes the needle in deeper

praying for death and hoping to hell the insurance money pays off


she makes love in the back of a black car

only, there’s no after play, or call the next day

it’s always the same

kiss me now, leave me later

i’ll be fine twirling to the latest LA band

just make sure my cut is enough…

i need my drugs, i don’t need you

porcelain skin cracks of mental anguish


walk down these streets

enter the sex shop, if you dare

have you seen the back room?

(“8mm” has nothing on them)

where the snuff films mingle with

hardcore bondage and vanilla play toys for the weak

step inside my alley

“i’ll give you a blow for some blow…”

(tit for tat and all that)

she’ll wait outside a crowded arena, in the pouring acid rain

white make-up splashes into onyx eyeliner

and a perverted security guard feels up her corset

(later, she’ll kick him with her steel toe boots, she swears she will)

all this for a lousy Sisters of Mercy show where the lead singer smokes on stage

while her cigs are sitting soaked in a trash can outside from confiscation

and he’ll play cowboys and indians,

bang bang, your dead… knife play is an art form
only this is without honor,

cause we’re all the “bad man” here…


ever been to MacArthur Park?

under the bridge, little girl, is where the boogey man plays…

four months pregnant she searched for him…

stepping over vagrants of no name

praying to some fake god that she wasn’t knifed in the crotch…

as she called his name

“where are you, my love?”

he sits a hundred miles away, shoving syringes down the wreckage of his past

(think it’ll clog the pipes?)


Hollywood,

where she went to the Frolic Room, at seventeen,

before “LA Confidential” made it a yuppie haven,

and drank to oblivion with the regulars


Hollywood,

where he can charm the fuzz with his rugged good looks

while doing dope in the driver’s seat of a hummer


Hollywood,

where her best friend OD’d in her arms from the latest designer drug GHB

as her “family” threw her a going away rave…


Hollywood,

where he realized enough was enough

cast down his trench coat and searched for love…


Hollywood,

where they both had coffee one fateful day

and somehow managed to save both their sorry souls from inevitable destruction…


yeah, Hollywood

no other place on earth like it…

want to dance with the devil?


Epilogue


(sometime in the near future)


they returned

demons packed in shiny bags

like unwanted kittens

and stood over the LA river

dropping the baggage that plagued their hearts

that raped their beings

that threatened to destroy the life they fought so hard to regain

they drowned those devils

and walked down Hollywood Blvd again…

this time in the daylight…

this time clean and alive…


"The greatest trick the devil ever pulled was convincing the world he didn't exist."
- Verbal Kent - The Usual Suspects

03/03/2005

Author's Note: does anyone know if the homeless men selling roses outside of clubs are still there?... just curious... 4th poem i've written in the graves/schottelkorb series of "creativity"... the pick was "hollywood"... this one was rough... really rough...

Posted on 03/03/2005
Copyright © 2024 Michele Schottelkorb

Member Comments on this Poem
Posted by Charlie Morgan on 03/03/05 at 10:43 PM

...michele, it was rough to read too without seeing a face of someone, somewhere, at sometime... you do full-metal jacket on this one and a grainy (but so true to life/death) picture it is...of us humans BEING!!! really a good and touching piece...peace,chaz

Posted by Laura Doom on 03/03/05 at 11:55 PM

Well this one makes me feel comparatively clean, in an unhealthy kind of way :) Bizarre, the contrast - something to say, in graphic detail...

Posted by Sarah Graves on 03/04/05 at 01:01 AM

Wow, a very bold portrait of Hollywood.. with very dark overtones throughout, of reality and of rebirth. The images that this piece has really left me speechless, they are difficult to embrace yet they are so clear. I did like the Usual Suspects quote at the end, it really tied the whole idea together. And I did enjoy the goth band references :).. especially Siouxsie. Really great job, and thank you for putting in the effort.. I didn't realize that my topic would be rough.. but I'm glad I could bring a challenge to the table for both of us.

Posted by Karl Waldbauer on 03/04/05 at 06:41 AM

Is it fair to say you've seen through the glitz and tinsel to view the nasty underbelly of our fair tourist trap? I've not seen the homeless rose man (God knows he has thousands of homeless brothers here), but I have seen the rose selling gypsy lady in West Hollywood. Michele, this is such a vivid picture you paint...no, it's a grainy black and white photograph.

Posted by Dana E Brossard on 03/05/05 at 02:30 PM

I like it a lot. I think it's rather well done, thank you for sharing with us once more =)

Posted by Chris Sorrenti on 03/07/05 at 02:46 PM

LOL! Pretty dark stuff...think I'll quit my job, go home and cut my wrists now. Creative series, imagination put to good use, I imagine based on observations in L.A. county.

Posted by Chris Sorrenti on 03/07/05 at 02:46 PM

LOL! Pretty dark stuff...think I'll quit my job, go home and cut my wrists now. Creative series, imagination put to good use, I imagine based on observations in L.A. county.

Posted by Charles E Minshall on 03/07/05 at 09:14 PM

Very well done Mich. It is such a shame that so many people dance with the devil and throw their lives away...Charlie

Posted by JD Clay on 03/13/05 at 07:39 PM

This is an exquisite postulation on the love/hate relationship while balancing on sanities shoulders. Great use of metaphor here, Michele. pe4ce...

Posted by Max Bouillet on 03/22/05 at 03:36 AM

There is so much I love about this verse. The images are raw, painful, beautiful... a mix of life death and everything in-between. The scenes have a strobe light effect --a series of bright vivid snapshots that culminate into a tragic story with a silver lining at the end. This verse describes an injury to the world soul --an injury that heals just in time to get ripped open again. Wow. Great read....

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