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No "Foul Play" Involved

by S. Pelham Flood

The smell of gas, the crunch of glass,
the eeriness of the blue beams slicing
through the thickness of the star-less night
air in 360 degree fashion silhouetting
faces aged profoundly in this recent lapse
of grief stricken three hours and twenty minutes.

A fading ink-blot of crimson surrounds
the fat child-like strokes of the chalked
outline which encompasses an area
larger than that of its inspiration

—the child whom the uniforms now refer to as “victim”—

was shoveled away in a black PVC bag
like the dirty laundry of a college student
headed home for the holiday weekend.

On the far side of the street sits the weapon,
an olive green ’71 Mustang with a white
canvas top and a white off-centered racing
stripe blazed across its hood, the driver’s door
still ajar—the windshield resembling a spider’s web.
It’s owner (not the driver) sitting quietly on the street
beside it; mascara running down her pallid cheeks,
reminiscent of a clown’s sultry face.

Her son is gone.

She looks up and meets the eyes
of the other woman sitting across the street
bouncing the red rubber kick-ball
that innocently caused it all—

12/01/2004

Posted on 01/10/2005
Copyright © 2024 S. Pelham Flood

Member Comments on this Poem
Posted by Leslie Ann Eisenberg on 06/25/06 at 05:52 AM

such searing image. stunning. shocking. unforgettable. more words fail me. PK

Posted by Meghan Helmich on 10/01/08 at 03:21 PM

this is really great work. the metaphors are fresh, which is tough to do these days. thanks for sharing this!

Posted by Jared Fladeland on 10/01/08 at 08:33 PM

i liken this to good acting. a good actor ever lets the audience know what the next step of their performance is (unless of course the writing is so blatantly filled with foreshadowing). this poem never lets us know exactly where it is taken us, and that's a wonderful thing. also, the image of the woman's makeup resembling clown makeup from her crying, as well as the way you introduce the girl with the kick ball is stellar.

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